Thank you for the awesome idea!
I have heard of doing these star trails merged on photoshop with each frame as a different layer which allows you to mask out areas of light pollution that show up on an individual frame (satellite, plane, car lights). Your idea is much simpler, I can merge the star trial on StarstaX (which is incredibly easy to use) and then combine that output with a frame exposed for everything below the sky, using Photoshop. Now I just have to wait for another clear night!
:thanks:
Edit: and yes Polaris is in the center
havent posted here in awhile.
Pretty Lights in Seattle at Lucky 2013.
[MENTION=56396]Hepar[/MENTION] - watcha think? any improvements? Or room for improvement?
Looks good! I would probably only have a few suggestions looking at it quickly. Maybe keep the rule of thirds in mind, you are losing quite a bit of definition in the hair and maybe a bit warmer on the WB?
Thanks!
I don't follow "rule of the thirds" - essplain please![]()
[MENTION=75328]DannyLlama[/MENTION] It also looks like your depth of field is a little narrow. You're losing a bit of focus on his left eye.
[MENTION=75328]DannyLlama[/MENTION]
Hope you don't mind me throwing in my $.02 as well...
I agree with hepar rule of thirds, adding a little warmth in the white balance, and changing your DOF slightly. I think the child may have popped a little more if the whole face/hair was in focus instead of just the left side of his face. (ie. "stopping down" the shot a little) Maybe even up the exposure ever-so-slightly as I feel it is a tad too dark?
Great shot though! Keep it up!
i know its not photos but this is best spot for this i could find. finally put my gopro photos into a timelapse. still need to find how to export premiere cs6 and upload above 1080p video to youtube
I know you've said that before about the DOF, but I guess I just can't figure out how to keep the right things in focus while shooting at F2.8, I think that's the biggest challenge.
[MENTION=63060]rickashay[/MENTION] - I don't mind any input, just want to learn all that I can. By stopping down, you mean moving up or down the F stop?
That show was taken with F2.8 and prob about 1/80 speed, 1200 or 1600 ISO, if the F stop was any higher it would be too dark. So again, the challenge is shooting with low F stop while maintaining the right things in focus. Any suggestions there?
Ok, this thread has pushed me over the edge. It's time to buy my first DSLR :banana:
Any recommendations on a first Nikon body and lens? Do I shell out the extra $$ and go straight into an FX, or get my feet wet with a DX?
Ok, this thread has pushed me over the edge. It's time to buy my first DSLR :banana:
Any recommendations on a first Nikon body and lens? Do I shell out the extra $$ and go straight into an FX, or get my feet wet with a DX?
Some great advice [MENTION=75328]DannyLlama[/MENTION]. I would only add that if you plan on ever stepping up into the FX game, there's nothing wrong with starting with a DX. Just make sure that you invest in FX glass. They will work on a DX body, but they will just be cropped a bit. That is where your real investment is going to be. Good glass. You can look and see that a good FX body is about $3k where a DX one is under $1,500, but after getting a good set of glass, you're talking around $10k for a decent setup.
Oh and [MENTION=75328]DannyLlama[/MENTION]. I also noticed that you were shooting at 1/80th of a second. You should be able to make up some ground there by shooting slower. You can get away with that down quite a bit as long as your subject isn't moving fast.
fairly proud of this one...anyone want to rip it to shreds??:lmao:
D600 is only 2k with lots of goodies usually...
What's wrong with the D600 Hepar ??!! :hiding:
What you suggest? 1/40? Or more? How would that help in the DOF?
I
It really depends on the lens and your shooting style. If you say have a really heavy 70-200mm lens, it's going to be hard to shoot hand held at that speed. But if you add the VR feature, you might be able to. And it would help because you can offset the different aperture with the shutter speed instead of having to sacrifice ISO.